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Julio Herrlein
Study and Practice in Composition with Opusmodus


Book 2

€30,00

This is the second volume in the series of publications specifically dedicated to composing and analyzing music using the Opusmodus system.
The primary purpose of this book is to provide a narrative of the compositional process in Opusmodus and demonstrate the interplay of functions in a typical daily workflow of practicing and studying composition. Simply having all the information scattered throughout the documentation is not enough to show how a composer connects ideas in the compositional process.
Not everything in the composition can be reconstructed, due to the rapid flow of decision making. Coding helps to leave a trace of the path, making us aware of the process.

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Autore:
Titolo Study and Practice in Composition with Opusmodus. Book 2
anno pubblicazione 2024
dimensioni 17 x 24 cm
numero di pagine 208
ISBN 9791280270566
Category:

COD: URANIA_010

Julio Herrlein

Compositore, arrangiatore e chitarrista brasiliano, è professore al dipartimento di musica presso l'Università Federale del Rio Grande do Sul (UFRGS). Ha conseguito una laurea, un master e un dottorato in Composizione musicale (UFRGS).
Come ricercatore, collabora allo sviluppo del CAC (Computer Assisted Composition) Opusmodus, lavorando anche in diversi altri gruppi di ricerca di teoria musicale e composizione.
Ha pubblicato Harmonia Combinatorial (2011) e Combinatorial Harmony (2013).
Come chitarrista, nel 1996 ha registrato il suo primo CD col Julio Herrlein Quarteto; nel 2015 gli è stata commissionata la composizione del brano musicale in onore del 50° anniversario del Goethe-Institut di Porto Alegre/RS.
Tra i suoi riconoscimenti ha vinto a Rio de Janeiro nel 2006 il ​​primo premio all'VIII IBEU (Brazil/United States Institute), concorso di composizione, e nel 1996 il primo premio al Festival di musica strumentale di RS.
Ha composto, arrangiato e prodotto più di 1200 brani musicali per la pubblicità, molti dei quali sono stati premiati.

Julio Herrlein, Brazilian composer, arranger and guitarist, is a professor in the Department of Music at the Federal University of Rio Grande do Sul (UFRGS). He holds a Bachelor's, Master's and Doctorate in Musical Composition (UFRGS).
As a researcher, he collaborates in the development of the CAC (Computer Assisted Composition) Opusmodus, also working in several other research groups in music theory and composition.
He has published Harmonia Combinatorial (2011) and Combinatorial Harmony (2013).
As a guitarist, in 1996 he recorded his first CD with the Julio Herrlein Quartet; in 2015 he was commissioned to compose the piece of music in honor of the 50th anniversary of the Goethe-Institut in Porto Alegre/RS.
Among his awards, he won in Rio de Janeiro in 2006 the first prize at the VIII IBEU (Brazil/United States Institute), a composition competition, and in 1996 the first prize at the RS Instrumental Music Festival.
He has composed, arranged and produced more than 1200 pieces of music for advertising, many of which have been awarded.

CONTENTS

1. General Concepts
1.1. Abstraction of Parameters
1.2. OMN: The Four Elements
1.3. List Processing
1.4. Combinatorics
1.5 Forte Numbers
2. Rhythmic Concepts
2.1 Time-Point System
2.2 Combinatorial Rhythm
2.3. PCS-Rhythm Function
2.4. Reich’s Clapping Music – PCS-Rhythm
2.5. Rhythmic Combinations
2.6. Rhythmic Transformations
2.6.1. Augmentation/Diminution
2.6.2. Cycles with a single APS
2.6.3 Metric Transforming (time-signatures)
2.6.4. APS distributed as accents
2.7. Polyrhythms
2.7.1. Polyrhythms – Score
2.8. Groove Template Example
2.8.1. Groove Template Jazz Trio – Score
3. Melodic Concepts
3.1. 12-tone patterns and 12-tone rows
3.2. Bind to Interval
3.2.1 Wind Binding Trio – Score
4. Harmonic Concepts
4.1. Harmonic Content of Scales
4.1.1. Harmonic content of scale 7-35 (Diatonic)
4.2. Voicings Theory
4.3. Block texture with drop voicings
74.3.1 Block Voicings – Score
5. Transformation of materials
5.1. General Variations
5.2. The “List-Span” Variation Process
5.2.1. Liturgie de Cristal (Messiaen) – Piano Part
6. Composing with Opusmodus
6.1. Turing Piano
6.2. Pitches for Turing Piano
6.3. Rhythms for Turing Piano
6.4. Dynamics for Turing Piano 
6.5. Turing Piano – Score
6.5.1 Turning Piano – Score (Part A)
6.5.2. Turning Piano – Score (Transition)
6.5.3. Turning Piano – Score (Slow Section)
6.6. A.S Mailbox (for String Quartet)
6.6.1. Harmonic Content 12-tone Rows
6.6.2. Organising Harmony in the Texture
6.6.3. A.S. Mailbox String Quartet – Movement II
6.6.4. [SPAM] Re: Hauer mov II from A.S. Mailbox – Score
7. Compositional Templates
7.1. Template #1
7.2. Template #2
7.2.1. Template #2 – Score
7.3. Template #3
7.3.1. Template #3 – Score
7.3.2 Template #3 – Score (expressionistic)
7.4. Template #4
7.4.1. Template #4 – Score
7.5. Template #5
7.5.1. Template #5 – Score
7.6. Template #6
7.6.1. Template #6 (Shorthand version)
7.6.2 Template #6 – Score
8. Index of Functions

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